1. 1.6 Band, Self Titled LP, USA, 1992
2. Acme, Self Titled 7″, Belgium, 1994
3. All Chrome, Flounders Flyers College & Canada LP, USA, 1999
4. Arms Reach, Self Titled 7″, Australia, 1998
5. Assuck, State To State 7″, USA, 1993
6. Aus-Rotten, Fuck Nazi Sympathy, USA, 1994
7. Bastard, Wind Of Pain LP, Japan, 1990
8. Bikini Kill, The Anti-Pleasure Dissertation 7″, USA, 1995
9. Born Against, Industrial Relations Department 7″, USA, 1990
10. Breakdown, Blacklisted LP, USA, 1997
11. Burn, Self Titled 7″, USA, 1990
12. By The Grace Of God, For The Love Of Indie Rock 7″, USA, 1996
13. Charles Bronson, Youth Attack LP, USA, 1997
14. Citizens Arrest, A Light In The Darkness 7″, USA, 1990
15. Chopping Block, Grizzly Fetish 7″, USA, 1991
16. Cop Out, Self Titled 7″, USA, 1993
17. Crossed Out, Self Titled 7″, USA, 1991
18. Crown Of Thornz, Train Yard Blues 12″, USA, 1995
19. Dead Nation, Face The Nation 7″, USA, 1998
20. Deadguy, Work Ethic 7″, USA, 1994
21. Death Side, Bet On The Possibility LP, Japan, 1991
22. Devoid Of Faith, Purpose: Lost 10″, USA, 1999
23. Disclose-Tragedy LP, Japan, 1994
24. Down But Not Out, Demo, USA, 1998
25. DropDead, Self Titled 7″, USA, 1992
26. Electric Wizard, Come My Fanatics LP, England, 1996
27. Endpoint, In A Time Of Hate LP, USA, 1990
28. Eyeball, More Days To Come LP, Germany, 1998
29. Eyehategod, In The Name Of Suffering LP, USA, 1992
30. Face Value, Coming Of Age 7″, USA, 1990
31. Fastbreak, Where It Lies 7″, USA, 1997
32. Fit For Abuse, Mindless Violence 7″, USA, 1995
33. Floor, Dove LP, USA, 1994
34. Floorpunch, Goal Line Stand Demo, USA, 1995
35. Four One One, This Isn’t Me LP, USA, 1991
36. Fu Manchu, The Action Is Go LP, USA, 1997
37. Full Speed Ahead, Demo, USA, 1998
38. Gauze, Kao O Aratte Denaoshite Koi LP, Japan, 1997
39. Get High, Demo, USA, 1996
40. Gordon Solie Mother Fuckers, Chairshot Politics 7″, USA, 1998
41. H-100′s, Distort Cleveland 7″, USA, 1995
42. Hatchetface, Volume Two LP, USA, 1995
43. Haywire, Private Hell LP, USA, 1990
44. Heroin, Paper Bag 7″, USA, 1992
45. His Hero Is Gone, Fifteen Counts Of Arson LP, USA, 1997
46. Huggy Bear, Don’t Die 7″, England, 1993
47. Human Remains, Using Sickness As A Hero CD, USA, 1996
48. The Icemen, Rest In Peace 7″, USA, 1991
49. In My Eyes, Demo, USA, 1997
50. Infest, Mankind 7″, USA, 1991
51. Inmates, Self Titled 7″, USA, 1995
52. Integrity, Humanity Is The Devil 10″, USA, 1996
53. Into Another, Ignaurus LP, USA, 1994
54. Jello Biafra With DOA, Last Screams Of The Missing Neighbors LP, USA/Canada, 1990
55. Judge, The Storm 7″, USA, 1991
56. Kiss It Goodbye, She Loves Me…She Loves Me Not LP, USA, 1997
57. Laughing Hyenas, Crawl 7″, USA, 1992
58. Leeway, Desperate Measures LP, USA, 1991
59. Los Crudos/Spitboy, Split LP, USA, 1994
60. Madball, Dropping Many Suckers 7″, USA, 1992
61. Mainstrike, Times Still Here 7″, Netherlands, 1995
62. Man Is The Bastard, Sum Of The Men 12″, USA, 1992
63. Man Lifting Banner, Ten Inches That Shock The World LP, Netherlands, 1992
64. Mouthpiece, What Was Said LP, USA, 1994
65. Mukilteo Fairies, Closet Check 7″, USA, 1993
66. Neanderthal, Fighting Music 7″, USA, 1990
67. Neurosis, The Word As Law LP, USA, 1990
68. No Comment, Downsided 7″, USA, 1992
69. No Escape, Demo, USA, 1990
70. Out Cold, Self Titled LP, USA, 1994
71. Paintbox, Screaming Shouting Crying LP, Japan, 1999
72. Poison Idea, Feel The Darkness LP, USA, 1990
73. Puncture Wound, Self Titled 7″, USA, 1999
74. Quicksand, Self Titled 7″, USA, 1990
75. Ringworm, Demo, USA, 1991
76. Ripping Corpse, Dreaming With The Dead LP, USA, 1991
77. Rollins Band, The End Of Silence LP, USA, 1992
78. Rorschach, Protestant LP, USA, 1992
79. Rupture, Righteous Fuck 7″, Australia, 1991
80. S.D.S., Scum System Kill 7″, Japan, 1996
81. S.O.D., Speak Swedish Or Die 7″, Sweden, 1990
82. Saint Vitus, Die Healing LP, USA, 1995
83. Septic Death, Theme From Ozobozo LP, USA, 1992
84. Skewbald/Grand Union, Self Titled 7″, USA, 1991
85. Sleater Kinney, Dig Me Out LP, USA, 1997
86. Sleep, Sleep’s Holy Mountain LP, USA, 1993
87. Spazz/Black Army Jacket, Split 7″, USA, 1997
88. Speak 714, The Scum Also Rises 7″, USA, 1999
89. Sportswear, It Runs Deep 7″, Norway, 1998
90. Supertouch, The Earth Is Flat LP, USA, 1990
91. Talk Is Poison, Straight To Hell 7″, USA, 1998
92. Team Dresch, Personal Best LP, USA, 1995
93. True Blue, Demo, Germany, 1998
94. Turning Point, It’s Always Darkest Before The Dawn LP, USA, 1991
95. Verbal Assault, On 12″, USA, 1990
96. Voorhees, Spilling Blood Without Reason LP, England, 1994
97. Warhead, Cry Of Truth LP, Japan, 1991
98. Bllleeeeaaauuurrrrgghhh! – The Record, Compilation 7″, International, 1991
99. Forever, Compilation 7″, USA, 1991
100. Rebuilding, Compilation 7″, USA, 1991

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The Geeks are a pleasant surprise! This Korean play excellent straight edge hardcore in the vein of Sportswear, Mainstrike, Mouthpiece, and later Bold. I am totally burnt out on this style but these guys are great. If you like this kind of thing definitely pick this one up! I don’t know what else to say; it’s good go get it.

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Whenever a new issue of Hardware Fanzine came out, I would save up my money and order all the records Dave & Brett said were good.  This turned me on to a lot of cool bands when I was 14-16: Devoid Of Faith, Mainstrike, Heroin, and Rorschach are just a few of them. Voorhees was another one.  I remember the review made me want to hear this record immediately.  Once I got a hold of it I was pretty floored.  Voorhees played million miles an hour hardcore in the vein of Infest and Citizens Arrest with great production and NYHC heaviness.  I remember being really pissed I missed them during their tour in the summer of 1995 w/ 25 Ta Life and Hatebreed (No, really).  I did see them in 1999, and again in 2001 right before they broke up.

Voorhees have a lot of records. Most are excellent.  Check out their discography for more info.  The Smiling At Death CD collects most of their essential stuff.

Here is an mp3 of Pissed.

These songs are posted for sample purposes.  I post them so that people can be turned on to cool music and hopefully return the favor for someone else.  Each mp3 will be up for one week and then will be taken down. please support the bands and labels by buying these records and checking them out when they play your town.  DIY hardcore punk bands deserve your support as an alternative to Clear Channel/MTV/RIAA nonsense. 

If you are the artist or copyright holder for this song and would like it removed please email me and it will be removed in a timely manner.

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Parade Brigade #1
Well, well, a new zine. John and I have combined forces and are now doing a zine together. ITBOAE is dead; not that anyone gives a fuck, but hey why not mention it? I figure fuck, I am the negative one usually so I will let John do all the positive bullshit. I hope that since we are now a *team* that we will be able to bust this shit out more often. I would like, ideally, to do one of these every two to three months. However, John is even more of a nerd than I am, so school always comes first. This issue has Floorpunch, DRI, Arms Reach, The Judas Iscariot, Ensign, and 97a. Look for the next issue to hit trendy bookstores and Camelot’s near you in a few months with Spazz, Kill Your Idols, H-Street, Speak 714, The Purpose, In My Eyes, The Nerve Agents, and Unit Pride.

Playlist-Beyond, Neurosis, Quicksand, Samiam, Floorpunch, Raw Power, SSD, DYS, Impact Unit, Negative Approach, 411, Arms Reach, Negative FX, Full Speed Ahead, Fit For Abuse, 97a, Deadguy, Token Entry, Mainstrike, Anti-Heroes, One Sided War, Killing Time

Thank You List-

Jay Fisher, OAYC, Mickey, D-Tox, Joe OZ, The MPC, Jenn West, Aaron L, Clay, Dan and Melissa Scheme, No Contest, Tears of Frustration, Chris Oliver and The Purpose, The Disturbed, Tim and Traci, David K, Floorpunch, Geoff TDT, Scooter, Brett, SOV, Sue Stormshadow, Greg Miller, Chris Alpino, Adrienne, Gordo and The Parting Shot, Fred Hammer, XClaim! and all of Australia, Crucial Response Records, Highscore, H-Street, Clevo Kids, Susan Wills, Cynthia, Spike and DRI, Sweet Pete and all of Boston, 97a, Reach The Sky, Amanda Cajano, Kill Your Idols, Full Speed Ahead, Fired Up! and all the others…

John
Welcome to the first issue of Parade Brigade Fanzine. This is my first “real attempt” at doing a fanzine, but putting out a fanzine is something I’ve always wanted to do. In 11^th grade my friend Justin and I started up a fanzine called We’re Not Gonna Take It. We did interviews with Rain On The Parade and No Redeeming Social Value, but that was about as far as we went. Usually, we would spend too much time skating and hanging out at the shore, and not enough time cutting and pasting. We’re Not Gonna Take It was eventually buried in the illustrious heap of unfinished hardcore fanzines.

Although my initial effort fell flat, putting out a zine remained an unfulfilled dream. Recently, I had the inspiration to start a new fanzine in hopes of bolstering the somewhat anemic Jersey hardcore scene. I wanted to give recognition to the bands I love and construct something that represents my ideas and opinions. Unfortunately, I would have probably just wasted paper on something that I would never finish.

Bill, on the other hand, is an experienced and successful zinester. He began by doing a zine called Assimilation or Oblivion (whose only memory is preserved by Ocean County diehards and of all people Rick Healey). After A or O, Bill worked on What Was Said, In The Blink Of An Eye, and Broken Behind This Wall. Each of these zines delivered Bill’s caustic indictments of the hardcore community and each one included a title stolen from a classic NJHC record. Just when Bill was ready to kick off his next project, Going To AC On A Saturday Night Fanzine, he realized the joke was over and it was time to move on. Therefore, Bill and I teamed up to present you Parade Brigade Fanzine – a clever ploy to cash in on the success of Rain On The Parade and The Bad Brains.

Bill and I have discussed our goals for the zine at length. Bill and I differ in a few respects, but we share the same idea of what a good hardcore fanzine is supposed to be. We especially want each to be released within a specified period. In other words, we do not want there to be huge gaps between release dates; so we intend to stay on the ball. Consistency is also very important to us. Too many zines gradually decline after the first issue. The following scenario is all too typical: the first issue of the zine includes interviews with Floorpunch and Mainstrike, but by the time the third issue surfaces they are interviewing Morrissey and Gravity Records. I know that many zine editors want their zines to be diverse and open minded, but hardcore means one thing to us. To some people that may seem narrow minded, but perhaps the kids today are too permissive. A hardcore fanzine should have hardcore bands in it.

Lastly, I want our zine to be honest and real. Parade Brigade Fanzine will never contain artsy backgrounds or lugubrious prose. We will never overload our zines with pretensions or skirt away from unpopular statements. Parade Brigade Fanzine will never be about “softened commitments designed to please the crowds.” If there is something that needs to be said, I will say it, in the face of laughter or resentment. I would never go out of my way to offend anyone, but I will never dilute my statements to avoid offending our audience. It seems very odd that I’m making all of these qualifying remarks when Bill is at least a hundred times more sarcastic and critical than me, but I just want people to know what we stand for. There is only one thing left to say: here’s your warning…

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I remember I was dreading a family vacation my senior year of high school. A week with my extended family when all I wanted to do was be left alone and not have to be ridiculed for not eating meat and being “out of step” in general. Conveniently, a brown envelope showed up the day before we left with the new Hardware (#9) in it! I spent most of the vacation on the couch reading and rereading #9 repeatedly. Thanks guys for saving me for a hellish vacation. Thanks also for the inspiration to use Rusty Pipes for a class assignment about student life for a class junior year.

This interview also began two friendships that I hold very dear to my heart. Dave and Brett are two of my favorite people in general, but especially out of the hardcore scene. This interview is also going to be included in the Hardware Fanzine retrospective CD that will be out soon.

This interview is with David Koenig. If I remember correctly I was also going to do something with Brett, but I did not really know him that well yet so I never got to it.

1. Ok so how did Hardware start out?

Ok Hardware started in February of 1993 as an idea while sitting bored at Jon Hiltz’s at some boring show. Brett (my fellow editor) was bothering me to do another zine ever since I ended In Memory Of… a couple years before. It was a split second decision that fateful night, I said, “Let’s do it,” and made the announcement to a couple people. In the second week of June, at Rorschach’s last NY show we had the first issue ready, sixteen pages of offset paper stapled together the night before. While it had no band interviews, it pretty much was the framework for future issues that you might see today. The reason for doing Hardware was A. There really was not many good zines coming out at the time and B. Practically all the zines coming out were terrible. Luckily as bad as the first two issues were, people caught on to what we were doing. Oh and to people who do not already know,HARDWARE is the title to our favorite Septic Death song.

2. How did you meet Brett?

I meet Brett in the summer of 1988 at Cbgb’s while selling off some of my records. My memory does not serve me too well of all the details but I am sure he could tell you. Eventually we just started talking and became friends. Out of all the people from the Cbgb’s days, he is the only one I am still in contact with on a regular basis. At the time, he was the biggest Supertouch fan.

3. Supertouch is a favorite of mine too, any good stories about them?

As a band, not really, because I was not too much of a fan; I was friends with Marc Ryan though. I met him at Some Records in 1986 after I saw some girl selling her collection of MRR’s on Astor Place in NYC. A lot of people used to sell stuff on the street back then. He saw that I had the mags and we went back to check out what else there was. It ended up he got a pile of early Thrashers. Haven’t seen him in years though, keeping hearing his band is back together.

4. Yeah Supertouch is back. They were supposed to put out a new EP but I do not know what happened. What was Some Records like?

Man Some Records was probably one of the coolest record stores of all time. The guy that ran it, Duane, was much older than the rest of us but he always seemed like one of the gang. Some Records was originally just a booth at the flea market next to Tower Records. Then Duane’s girlfriend opened her store 99x and let him use the space adjoining to sell records. (Actually going back a little more 99x used to be 99x Music over by Bleeker Bob’s but she split, taking the clothing business with her.) It was also a hangout at any given time you could go there and there would be band members, scenesters, etc…Practically every NYHC record that came out between 1986 and 1988 was available there first. I used to be there every weekend getting first crack at every demo and record that came out. I remember when Lou and Pete (SOIA) came in with the first box of demos and I bought the first copy they sold. Honestly, a fucking book could have been written about this place, I cannot give this answer any justice. It was also the only store I know that you could go up and just graffiti the walls. Unbelievable. I was eventually known as “Duane’s brother” because we looked alike. Like I said, I have too many vivid memories of Some Records.

5. What were your favorite bands back then? How old were you when you got into hardcore?

I first started listening to HC in 1982 via a friend who introduced me to bands like The Dead Kennedy’s and DOA. It was that summer that I first heard WFMU (Pat Duncan’s radio show) and WKNJ and all that music that they were playing at the time. Before this, I was never serious about music, and then I was getting into new wave and punk. My first show was also my first “live” music experience, Black Flag at The Ritz December 13th 1984. I did not go to my first local show until a year later, which was at a local rec center. At the time I got into all the NJHC bands, Bedlam, AOD, Sand in the Face, Malignant Tumor etc…I started going to CBGB’s in January of 1986, blah, blah… you can read all about that in HW #9. So I liked HC/Punk since I was 14, but did not get serious about it until a couple of years later. By the time most people were getting out of hardcore I was just getting into it age wise. A late bloomer I guess…

6. What was CBGB’s like back then?

Hey, I thought this was about Hardware! (Just kidding…) Well, CBGB’s was just a small shit hole of a club that everybody went to, all the great bands played at and just happened to be “the place”. There are too many stories for me to go into here. I was there like every weekend from 86 to 89 though. Every time I go back or see the place, I get a serious déjà vu. Can’t say that I miss it though. Next question please.

7. Ok how do you go about getting interviews for Hardware?

That is pretty easy for us. If we want to interview a band, we just go and contact them. Certain bands we know exactly what to ask and others we just wing it. Lately, others have been doing the interviews, so it is a change of pace. I will tell you the toughest interview to get was Pushead. Took us the better part of a year for us and like three other people from around the country to convince him. That’s the interview I’m the proudest of. Another favorite interview of mine was Sick of it All, because I was sort of becoming friends with Lou again and it was a damn funny interview. Brett asked some
great questions! My advice to people doing zines- if you want to do an interview with a band just ask them. In most cases, they don’t bite. Also, ask good questions! Even goofy ones, bands get tired of the same old questions day in and day out. That’s why most interviews suck.

8. How do you put together Hardware?

I know many people think that Hardware must be this majorly organized production. In reality, it’s done so haphazardly. I really can’t give you a definitive answer here because the way we do things changes with each issue. As you may already know, the majority of Hardware is done “cut and paste.” People are always asking how we get the backgrounds so “black,” simple black paper. I go to Pearl Art Supply every once in a while and pick up a ream of black paper and go to town. If we had real money to spend I’d like to put the paste ups on cardboard. Photos are always a major problem. Brett and I are always looking for people to help us scan them cheaply. This is why every time you look at an issue of Hardware the pictures either look good or like crap. That’s basically it.

9. What Happened With Pyre?

Well, Pyre was going to be my “Horror Sci-Fi” magazine separate from Hardware. Brett had nothing to do with it. The main reason I didn’t do it was because after investigation I came to the conclusion that I couldn’t get it distributed through the major “small press” channels. None of them (Fine Print etc) would carry Hardware and for them to take a proposed magazine they would want me to have a high cover price. Since they take 55% of the cover when distributing any magazine, $1.50 wouldn’t be worth their trouble. I didn’t want to charge a lot for the thing, so… Also, you know how hard it is getting people to contribute to a hardcore zine, multiply that by 100 for a Horror Sci-Fi one. People are lame in general, so I felt with all the factors it just wasn’t worth going through with it. I lost a lot of money on that venture and nothing came of it. Well, I shouldn’t say “nothing” because I did make some good friends because of it. Just to let people know, I like Sci-Fi, Horror, Anime, Comic Books, etc… and I am just as critical of it as I am with music.

10. What are your favorite Sci-Fi Fantasy writers and Anime movies?

Hmm… I’m not that big on fiction. I tend to read a lot of non-fiction stuff, but Robert Bloch is great. I love Harlan Ellison as a personality because he is so outspoken. I have never read his stuff though. I love anime and my all time favorite is Project A-KO. I can watch it over and over. Though most people will call me a pervert, I really enjoy those graphic sex animes too…

11. Project A-KO is my favorite too! Which is your favorite?

Well, Project A-KO is the first movie…I have that on laser disc. I have every other sequel on tape.

12. What is the future for Hardware?

Not much really. The next issue #10 will be the last one. Brett and I have to move on in life. It should have (so far) interviews with Circle Storm and Rain on the Parade. There will be plenty to read in this one, I just can’t honestly say what. For those who are upset about our zine ending, well that’s your cue to get something started. Make an effort and show your hardware.

13. What bands do you listen to these days?

Hardcore wise, I just really listen to all my friends bands which I feel are doing something productive. They are (in no order):97a, Rain on the Parade, Floorpunch, Devoid of Faith, etc… I really only listen to older stuff and of course all of the other music genres I am into such as film soundtracks, fifties and sixties popular vocals (1560 AM is my favorite radio station), new wave, and some other bands.

14. How long have you know Ronnie Little?

Not really all that long, a couple of year’s maybe. We met through my doing the zine. I think he has a lot of good things to say and I really love his band. One thing I am sad about ending Hardware is that Ronnie can’t be a part of our thing anymore.

15. What do you think are the best interviews you did?

Absolutely the Pushead interview. That was a big deal to both Brett and I. We worked really hard to get that interview too, so the payoff was extremely worthwhile. Other favorites are Sick of it All (#7 Brett asked some great questions), Spitboy (#4 Brett got into a shouting match with Todd and Karin), and Brett likes the Ressurection one from #4. I think we really did get a good cross section of bands and don’t think we deserved the “only straight edge bands” tag. I really liked most of the interviews that appeared in our magazine.

16. Any you really didn’t like?

Well looking back I really wish we didn’t interview bands like Heroin and Antioch Arrow because both bands turned out to be such slackers. I really think the emo punk scene is the worst. These people need to get a fucking life.

17. Where do you see hardcore going?

Into the fucking shitter! It’s not all bad because there is still many good bands around, especially from our area so I really can’t complain. I don’t go to many shows anymore so I try to just catch my favorite bands. Hardcore/Punk has broken off into too many splinter genres and it’s too tedious to try and catch what all these bands are doing. I’d say 90% of all the so-called hardcore bands out there aren’t. Different strokes for different folks but my opinions right about hardcore. Those who don’t like it can go screw.

18. Closing comments?

Just that thanks to everybody who has supported Hardware during it’s existence. Many people place it in zine history with zines like Boiling Point, No Answers, XXX, and that’s pretty good company to be in. To everyone knock off the posing, acting cool, starting fights, dressing hip; just be yourself. Oh and do not EVER talk to the mainstream media. The outside world is never going to “get it.”

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