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	<title>Signifying Nothing &#187; Endpoint</title>
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	<description>Archive Of My Fanzines 95-02. Webzine &#38; Podcast June 05-December 06. Updated Sometimes.</description>
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	<itunes:summary>Archive Of My Fanzines 95-02. Webzine &amp; Podcast June 05-December 06. Updated Sometimes.</itunes:summary>
	<itunes:author>Signifying Nothing</itunes:author>
	<itunes:explicit>no</itunes:explicit>
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	<itunes:subtitle>Archive Of My Fanzines 95-02. Webzine &amp; Podcast June 05-December 06. Updated Sometimes.</itunes:subtitle>
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		<title>Top 100 1990&#8242;s</title>
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		<pubDate>Mon, 12 Apr 2010 22:09:13 +0000</pubDate>
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		<description><![CDATA[1.6 Band, Self Titled LP, USA, 1992 Acme, Self Titled 7″, Belgium, 1994 All Chrome, Flounders Flyers College &#38; Canada LP, USA, 1999 Arms Reach, Self Titled 7″, Australia, 1998 Assuck, State To State 7″, USA, 1993 Aus-Rotten, Fuck Nazi Sympathy, USA, 1994 Bastard, Wind Of Pain LP, Japan, 1990 Bikini Kill, The Anti-Pleasure Dissertation [...]]]></description>
			<content:encoded><![CDATA[<ol>
<li>1.6 Band, Self Titled LP, USA, 1992</li>
<li>Acme, Self Titled 7″, Belgium, 1994</li>
<li>All Chrome, Flounders Flyers College &amp; Canada LP, USA, 1999</li>
<li>Arms Reach, Self Titled 7″, Australia, 1998</li>
<li>Assuck, State To State 7″, USA, 1993</li>
<li>Aus-Rotten, Fuck Nazi Sympathy, USA, 1994</li>
<li>Bastard, Wind Of Pain LP, Japan, 1990</li>
<li>Bikini Kill, The Anti-Pleasure Dissertation 7″, USA, 1995</li>
<li>Born Against, Industrial Relations Department 7″, USA, 1990</li>
<li>Breakdown, Blacklisted LP, USA, 1997</li>
<li>Burn, Self Titled 7″, USA, 1990</li>
<li>By The Grace Of God, For The Love Of Indie Rock 7″, USA, 1996</li>
<li>Charles Bronson, Youth Attack LP, USA, 1997</li>
<li>Citizens Arrest, A Light In The Darkness 7″, USA, 1990</li>
<li>Chopping Block, Grizzly Fetish 7″, USA, 1991</li>
<li>Cop Out, Self Titled 7″, USA, 1993</li>
<li>Crossed Out, Self Titled 7″, USA, 1991</li>
<li>Crown Of Thornz, Train Yard Blues 12″, USA, 1995</li>
<li>Dead Nation, Face The Nation 7″, USA, 1998</li>
<li>Deadguy, Work Ethic 7″, USA, 1994</li>
<li>Death Side, Bet On The Possibility LP, Japan, 1991</li>
<li>Devoid Of Faith, Purpose: Lost 10″, USA, 1999</li>
<li>Disclose-Tragedy LP, Japan, 1994</li>
<li>Down But Not Out, Demo, USA, 1998</li>
<li>DropDead, Self Titled 7″, USA, 1992</li>
<li>Electric Wizard, Come My Fanatics LP, England, 1996</li>
<li>Eyeball, Talkin&#8217; Straight 7&#8243;, Germany, 1998</li>
<li>Eyehategod, In The Name Of Suffering LP, USA, 1992</li>
<li>Face Value, Coming Of Age 7″, USA, 1990</li>
<li>Fastbreak, Where It Lies 7″, USA, 1997</li>
<li>Fit For Abuse, Mindless Violence 7″, USA, 1995</li>
<li>Floor, Dove LP, USA, 1994</li>
<li>Floorpunch, Goal Line Stand Demo, USA, 1995</li>
<li>Four One One, This Isn’t Me LP, USA, 1991</li>
<li>Fu Manchu, The Action Is Go LP, USA, 1997</li>
<li>Full Speed Ahead, Demo, USA, 1998</li>
<li>Gauze, Kao O Aratte Denaoshite Koi LP, Japan, 1997</li>
<li>Get High, Demo, USA, 1996</li>
<li>Gordon Solie Mother Fuckers, Chairshot Politics 7″, USA, 1998</li>
<li>H-100’s, Distort Cleveland 7″, USA, 1995</li>
<li>Hatchetface, Volume Two LP, USA, 1995</li>
<li>Haywire, Private Hell LP, USA, 1990</li>
<li>Heroin, Paper Bag 7″, USA, 1992</li>
<li>His Hero Is Gone, Fifteen Counts Of Arson LP, USA, 1997</li>
<li>Huggy Bear, Don’t Die 7″, England, 1993</li>
<li>Human Remains, Using Sickness As A Hero CD, USA, 1996</li>
<li>The Icemen, Rest In Peace 7″, USA, 1991</li>
<li>In My Eyes, Demo, USA, 1997</li>
<li>Infest, Mankind 7″, USA, 1991</li>
<li>Inmates, Self Titled 7″, USA, 1995</li>
<li>Integrity, Humanity Is The Devil 10″, USA, 1996</li>
<li>Into Another, Ignaurus LP, USA, 1994</li>
<li>Jello Biafra With DOA, Last Screams Of The Missing Neighbors LP, USA/Canada, 1990</li>
<li>Judge, The Storm 7″, USA, 1991</li>
<li>Kiss It Goodbye, She Loves Me…She Loves Me Not LP, USA, 1997</li>
<li>Laughing Hyenas, Crawl 7″, USA, 1992</li>
<li>Leeway, Desperate Measures LP, USA, 1991</li>
<li>Los Crudos/Spitboy, Split LP, USA, 1994</li>
<li>Madball, Dropping Many Suckers 7″, USA, 1992</li>
<li>Mainstrike, Times Still Here 7″, Netherlands, 1995</li>
<li>Man Is The Bastard, Sum Of The Men 12″, USA, 1992</li>
<li>Man Lifting Banner, Ten Inches That Shock The World LP, Netherlands, 1992</li>
<li>Mouthpiece, What Was Said LP, USA, 1994</li>
<li>Mukilteo Fairies, Closet Check 7″, USA, 1993</li>
<li>Neanderthal, Fighting Music 7″, USA, 1990</li>
<li>Neurosis, The Word As Law LP, USA, 1990</li>
<li>No Comment, Downsided 7″, USA, 1992</li>
<li>No Escape, Demo, USA, 1990</li>
<li>Out Cold, Self Titled LP, USA, 1994</li>
<li>Paintbox, Screaming Shouting Crying LP, Japan, 1999</li>
<li>Poison Idea, Feel The Darkness LP, USA, 1990</li>
<li>Puncture Wound, Self Titled 7″, USA, 1999</li>
<li>Quicksand, Self Titled 7″, USA, 1990</li>
<li>Ringworm, Demo, USA, 1991</li>
<li>Ripping Corpse, Dreaming With The Dead LP, USA, 1991</li>
<li>Rollins Band, The End Of Silence LP, USA, 1992</li>
<li>Rorschach, Protestant LP, USA, 1992</li>
<li>Rupture, Righteous Fuck 7″, Australia, 1991</li>
<li>S.D.S., Scum System Kill 7″, Japan, 1996</li>
<li>S.O.D., Speak Swedish Or Die 7″, Sweden, 1990</li>
<li>Saint Vitus, Die Healing LP, USA, 1995</li>
<li>Selfish, System Kills 7&#8243;, Finland, 1993</li>
<li>Septic Death, Theme From Ozobozo LP, USA, 1992</li>
<li>Skewbald/Grand Union, Self Titled 7″, USA, 1991</li>
<li>Sleater Kinney, Dig Me Out LP, USA, 1997</li>
<li>Sleep, Sleep’s Holy Mountain LP, USA, 1993</li>
<li>Spazz/Black Army Jacket, Split 7″, USA, 1997</li>
<li>Speak 714, The Scum Also Rises 7″, USA, 1999</li>
<li>Sportswear, It Runs Deep 7″, Norway, 1998</li>
<li>Supertouch, The Earth Is Flat LP, USA, 1990</li>
<li>Talk Is Poison, Straight To Hell 7″, USA, 1998</li>
<li>Team Dresch, Personal Best LP, USA, 1995</li>
<li>True Blue, Demo, Germany, 1998</li>
<li>Turning Point, It’s Always Darkest Before The Dawn LP, USA, 1991</li>
<li>Verbal Assault, On 12″, USA, 1990</li>
<li>Voorhees, Spilling Blood Without Reason LP, England, 1994</li>
<li>Warhead, Cry Of Truth LP, Japan, 1991</li>
<li>Bllleeeeaaauuurrrrgghhh! – The Record, Compilation 7″, International, 1991</li>
<li>Forever, Compilation 7″, USA, 1991</li>
<li>Rebuilding, Compilation 7″, USA, 1991</li>
</ol>
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		<title>Signifying Nothing Top 100 Of The Nineties</title>
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		<pubDate>Mon, 27 Jul 2009 14:43:48 +0000</pubDate>
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				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[1.6 Band]]></category>
		<category><![CDATA[411]]></category>
		<category><![CDATA[Acme]]></category>
		<category><![CDATA[All Chrome]]></category>
		<category><![CDATA[Arms Reach]]></category>
		<category><![CDATA[Assuck]]></category>
		<category><![CDATA[Aus-Rotten]]></category>
		<category><![CDATA[Bastard]]></category>
		<category><![CDATA[Bikini Kill]]></category>
		<category><![CDATA[Black Army Jacket]]></category>
		<category><![CDATA[Born Against]]></category>
		<category><![CDATA[Breakdown]]></category>
		<category><![CDATA[Burn]]></category>
		<category><![CDATA[By The Grace Of God]]></category>
		<category><![CDATA[Charles Bronson]]></category>
		<category><![CDATA[Chopping Block]]></category>
		<category><![CDATA[Citizens Arrest]]></category>
		<category><![CDATA[Cop Out]]></category>
		<category><![CDATA[Crossed Out]]></category>
		<category><![CDATA[Crown Of Thornz]]></category>
		<category><![CDATA[Dead Nation]]></category>
		<category><![CDATA[Deadguy]]></category>
		<category><![CDATA[Death Side]]></category>
		<category><![CDATA[Devoid Of Faith]]></category>
		<category><![CDATA[Disclose]]></category>
		<category><![CDATA[Down But Not Out]]></category>
		<category><![CDATA[DropDead]]></category>
		<category><![CDATA[Electric Wizard]]></category>
		<category><![CDATA[Endpoint]]></category>
		<category><![CDATA[Eyeball]]></category>
		<category><![CDATA[Eyehategod]]></category>
		<category><![CDATA[Face Value]]></category>
		<category><![CDATA[Fastbreak]]></category>
		<category><![CDATA[Fit For Abuse]]></category>
		<category><![CDATA[Floor]]></category>
		<category><![CDATA[Floorpunch]]></category>
		<category><![CDATA[Fu Manchu]]></category>
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		<category><![CDATA[Gauze]]></category>
		<category><![CDATA[Get High]]></category>
		<category><![CDATA[Gordon Solie Mother Fuckers]]></category>
		<category><![CDATA[H 100's]]></category>
		<category><![CDATA[Hatchetface]]></category>
		<category><![CDATA[Haywire]]></category>
		<category><![CDATA[Heroin]]></category>
		<category><![CDATA[His Hero Is Gone]]></category>
		<category><![CDATA[Huggy Bear]]></category>
		<category><![CDATA[Human Remains]]></category>
		<category><![CDATA[In My Eyes]]></category>
		<category><![CDATA[Infest]]></category>
		<category><![CDATA[Inmates]]></category>
		<category><![CDATA[Integrity]]></category>
		<category><![CDATA[Into Another]]></category>
		<category><![CDATA[Jello Biafra & DOA]]></category>
		<category><![CDATA[Judge]]></category>
		<category><![CDATA[Kiss It Goodbye]]></category>
		<category><![CDATA[Laughing Hyenas]]></category>
		<category><![CDATA[Leeway]]></category>
		<category><![CDATA[Los Crudos]]></category>
		<category><![CDATA[Madball]]></category>
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		<category><![CDATA[Mukilteo Fairies]]></category>
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		<category><![CDATA[Neurosis]]></category>
		<category><![CDATA[No Comment]]></category>
		<category><![CDATA[No Escape]]></category>
		<category><![CDATA[Out Cold]]></category>
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		<category><![CDATA[Rollins Band]]></category>
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		<category><![CDATA[Rupture]]></category>
		<category><![CDATA[S.D.S.]]></category>
		<category><![CDATA[S.O.D.]]></category>
		<category><![CDATA[Saint Vitus]]></category>
		<category><![CDATA[Septic Death]]></category>
		<category><![CDATA[Skewbald]]></category>
		<category><![CDATA[Sleater Kinney]]></category>
		<category><![CDATA[Sleep]]></category>
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		<category><![CDATA[Spitboy]]></category>
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		<category><![CDATA[Supertouch]]></category>
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		<category><![CDATA[Team Dresch]]></category>
		<category><![CDATA[The Icemen]]></category>
		<category><![CDATA[Top 100 Of The Nineties]]></category>
		<category><![CDATA[True Blue]]></category>
		<category><![CDATA[Turning Point]]></category>
		<category><![CDATA[Verbal Assault]]></category>
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		<description><![CDATA[Four years late, here is the final list.  One thing I&#8217;ve noticed as I put this together is that there is a great lack of compilations on this list.  A lot of the decent compilations in the nineties have great songs, but also terrible ones.  I still feel like I am missing something obvious&#8230; 1.6 [...]]]></description>
			<content:encoded><![CDATA[<p>Four years late, here is the final list.  One thing I&#8217;ve noticed as I put this together is that there is a great lack of compilations on this list.  A lot of the decent compilations in the nineties have great songs, but also terrible ones.  I still feel like I am missing something obvious&#8230;</p>
<ol>
<li>1.6 Band, Self Titled LP, USA, 1992</li>
<li>Acme, Self Titled 7&#8243;, Belgium, 1994</li>
<li>All Chrome, Flounders Flyers College &amp; Canada LP, USA, 1999</li>
<li>Arms Reach, Self Titled 7&#8243;, Australia, 1998</li>
<li>Assuck, State To State 7&#8243;, USA, 1993</li>
<li>Aus-Rotten, Fuck Nazi Sympathy, USA, 1994</li>
<li>Bastard, Wind Of Pain LP, Japan, 1990</li>
<li>Bikini Kill, The Anti-Pleasure Dissertation 7&#8243;, USA, 1995</li>
<li>Born Against, Industrial Relations Department 7&#8243;, USA, 1990</li>
<li>Breakdown, Blacklisted LP, USA, 1997</li>
<li>Burn, Self Titled 7&#8243;, USA, 1990</li>
<li>By The Grace Of God, For The Love Of Indie Rock 7&#8243;, USA, 1996</li>
<li>Charles Bronson, Youth Attack LP, USA, 1997</li>
<li>Citizens Arrest, A Light In The Darkness 7&#8243;, USA, 1990</li>
<li>Chopping Block, Grizzly Fetish 7&#8243;, USA, 1991</li>
<li>Cop Out, Self Titled 7&#8243;, USA, 1993</li>
<li>Crossed Out, Self Titled 7&#8243;, USA, 1991</li>
<li>Crown Of Thornz, Train Yard Blues 12&#8243;, USA, 1995</li>
<li>Dead Nation, Face The Nation 7&#8243;, USA, 1998</li>
<li>Deadguy, Work Ethic 7&#8243;, USA, 1994</li>
<li>Death Side, Bet On The Possibility LP, Japan, 1991</li>
<li>Devoid Of Faith, Purpose: Lost 10&#8243;, USA, 1999</li>
<li>Disclose-Tragedy LP, Japan, 1994</li>
<li>Down But Not Out, Demo, USA, 1998</li>
<li>DropDead, Self Titled 7&#8243;, USA, 1992</li>
<li>Electric Wizard, Come My Fanatics LP, England, 1996</li>
<li>Endpoint, In A Time Of Hate LP, USA, 1990</li>
<li>Eyeball, More Days To Come LP, Germany, 1998</li>
<li>Eyehategod, In The Name Of Suffering LP, USA, 1992</li>
<li>Face Value, Coming Of Age 7&#8243;, USA, 1990</li>
<li>Fastbreak, Where It Lies 7&#8243;, USA, 1997</li>
<li>Fit For Abuse, Mindless Violence 7&#8243;, USA, 1995</li>
<li>Floor, Dove LP, USA, 1994</li>
<li>Floorpunch, Goal Line Stand Demo, USA, 1995</li>
<li>Four One One, This Isn&#8217;t Me LP, USA, 1991</li>
<li>Fu Manchu, The Action Is Go LP, USA, 1997</li>
<li>Full Speed Ahead, Demo, USA, 1998</li>
<li>Gauze, Kao O Aratte Denaoshite Koi LP, Japan, 1997</li>
<li>Get High, Demo, USA, 1996</li>
<li>Gordon Solie Mother Fuckers, Chairshot Politics 7&#8243;, USA, 1998</li>
<li>H-100&#8242;s, Distort Cleveland 7&#8243;, USA, 1995</li>
<li>Hatchetface, Volume Two LP, USA, 1995</li>
<li>Haywire, Private Hell LP, USA, 1990</li>
<li>Heroin, Paper Bag 7&#8243;, USA, 1992</li>
<li>His Hero Is Gone, Fifteen Counts Of Arson LP, USA, 1997</li>
<li>Huggy Bear, Don&#8217;t Die 7&#8243;, England, 1993</li>
<li>Human Remains, Using Sickness As A Hero CD, USA, 1996</li>
<li>The Icemen, Rest In Peace 7&#8243;, USA, 1991</li>
<li>In My Eyes, Demo, USA, 1997</li>
<li>Infest, Mankind 7&#8243;, USA, 1991</li>
<li>Inmates, Self Titled 7&#8243;, USA, 1995</li>
<li>Integrity, Humanity Is The Devil 10&#8243;, USA, 1996</li>
<li>Into Another, Ignaurus LP, USA, 1994</li>
<li>Jello Biafra With DOA, Last Screams Of The Missing Neighbors LP, USA/Canada, 1990</li>
<li>Judge, The Storm 7&#8243;, USA, 1991</li>
<li>Kiss It Goodbye, She Loves Me&#8230;She Loves Me Not LP, USA, 1997</li>
<li>Laughing Hyenas, Crawl 7&#8243;, USA, 1992</li>
<li>Leeway, Desperate Measures LP, USA, 1991</li>
<li>Los Crudos/Spitboy, Split LP, USA, 1994</li>
<li>Madball, Dropping Many Suckers 7&#8243;, USA, 1992</li>
<li>Mainstrike, Times Still Here 7&#8243;, Netherlands, 1995</li>
<li>Man Is The Bastard, Sum Of The Men 12&#8243;, USA, 1992</li>
<li>Man Lifting Banner, Ten Inches That Shock The World LP, Netherlands, 1992</li>
<li>Mouthpiece, What Was Said LP, USA, 1994</li>
<li>Mukilteo Fairies, Closet Check 7&#8243;, USA, 1993</li>
<li>Neanderthal, Fighting Music 7&#8243;, USA, 1990</li>
<li>Neurosis, The Word As Law LP, USA, 1990</li>
<li>No Comment, Downsided 7&#8243;, USA, 1992</li>
<li>No Escape, Demo, USA, 1990</li>
<li>Out Cold, Self Titled LP, USA, 1994</li>
<li>Paintbox, Screaming Shouting Crying LP, Japan, 1999</li>
<li>Poison Idea, Feel The Darkness LP, USA, 1990</li>
<li>Puncture Wound, Self Titled 7&#8243;, USA, 1999</li>
<li>Quicksand, Self Titled 7&#8243;, USA, 1990</li>
<li>Ringworm, Demo, USA, 1991</li>
<li>Ripping Corpse, Dreaming With The Dead LP, USA, 1991</li>
<li>Rollins Band, The End Of Silence LP, USA, 1992</li>
<li>Rorschach, Protestant LP, USA, 1992</li>
<li>Rupture, Righteous Fuck 7&#8243;, Australia, 1991</li>
<li>S.D.S., Scum System Kill 7&#8243;, Japan, 1996</li>
<li>S.O.D., Speak Swedish Or Die 7&#8243;, Sweden, 1990</li>
<li>Saint Vitus, Die Healing LP, USA, 1995</li>
<li>Septic Death, Theme From Ozobozo LP, USA, 1992</li>
<li>Skewbald/Grand Union, Self Titled 7&#8243;, USA, 1991</li>
<li>Sleater Kinney, Dig Me Out LP, USA, 1997</li>
<li>Sleep, Sleep&#8217;s Holy Mountain LP, USA, 1993</li>
<li>Spazz/Black Army Jacket, Split 7&#8243;, USA, 1997</li>
<li>Speak 714, The Scum Also Rises 7&#8243;, USA, 1999</li>
<li>Sportswear, It Runs Deep 7&#8243;, Norway, 1998</li>
<li>Supertouch, The Earth Is Flat LP, USA, 1990</li>
<li>Talk Is Poison, Straight To Hell 7&#8243;, USA, 1998</li>
<li>Team Dresch, Personal Best LP, USA, 1995</li>
<li>True Blue, Demo, Germany, 1998</li>
<li>Turning Point, It&#8217;s Always Darkest Before The Dawn LP, USA, 1991</li>
<li>Verbal Assault, On 12&#8243;, USA, 1990</li>
<li>Voorhees, Spilling Blood Without Reason LP, England, 1994</li>
<li>Warhead, Cry Of Truth LP, Japan, 1991</li>
<li>Bllleeeeaaauuurrrrgghhh! &#8211; The Record, Compilation 7&#8243;, International, 1991</li>
<li>Forever, Compilation 7&#8243;, USA, 1991</li>
<li>Rebuilding, Compilation 7&#8243;, USA, 1991</li>
</ol>
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		<title>Top 100 Of The Nineties: By The Grace Of God-For The Love Of Indie Rock 7&#8243;</title>
		<link>http://sn.wpwend.com/2006/03/02/top-100-of-the-nineties-by-the-grace-of-god-for-the-love-of-indie-rock-7/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=top-100-of-the-nineties-by-the-grace-of-god-for-the-love-of-indie-rock-7</link>
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		<pubDate>Thu, 02 Mar 2006 12:56:24 +0000</pubDate>
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		<category><![CDATA[Black Cross]]></category>
		<category><![CDATA[By The Grace Of God]]></category>
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		<category><![CDATA[Victory Records]]></category>

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		<description><![CDATA[By The Grace Of God For The Love Of Indie Rock 7” Victory Records 1996 I remember Victory sending out a newsletter sometime in 1996, probably the summer, about their new releases.  The usual garbage like Snapcase and Earth Crisis had new releases, the One Life Crew controversy was covered, and there was an announcement [...]]]></description>
			<content:encoded><![CDATA[<p><strong>By The Grace Of God</strong><br />
<em>For The Love Of Indie Rock</em> 7”<br />
<em><strong>Victory Records</strong></em><br />
1996</p>
<p style="margin-bottom: 0in">I remember <em>Victory</em> sending out a newsletter sometime in 1996, probably the summer, about their new releases.  The usual garbage like <strong>Snapcase</strong> and <strong>Earth Crisis</strong> had new releases, the <strong>One Life Crew</strong> controversy was covered, and there was an announcement about a new band called <strong>By The Grace Of God</strong>.  This band was supposed to have members of <strong>Endpoint</strong> and apparently had recently played their first show, playing three songs and a <strong>Judge</strong> cover.  At the time of course crap like <strong>Snapcase</strong> was huge, real hardcore bands like <strong>Devoid Of Faith</strong> and <strong>Floorpunch</strong> were starting to gain momentum, so hearing dudes from <strong>Endpoint</strong> were doing a band that covered <strong>Judge</strong> was a good thing.</p>
<p style="margin-bottom: 0in">I got the 7” shortly after.  I was pretty floored by it.  It sounded, by the time period&#8217;s standards, pretty “modern” but was still hardcore and a definite return to the older <strong>Endpoint</strong> style.  Throw in a cover of fucking <em>Plastic Bomb</em> on the CD and I knew this band was good.</p>
<p style="margin-bottom: 0in">I saw them live twice.  One at <strong>Manville Elks Lodge</strong> with the scab version of <strong>Deadguy</strong> &amp; <strong>C.R.</strong>.  The other time was of course at the infamous show in Yardley PA.  I actually missed the whole thing!  Our friends in the band <strong>Rad </strong>opened the show but then <strong>Saves The Day</strong> was playing so I walked down to the Wawa at the end of the street.  By the time I had come back everything had happened.  Whoops.</p>
<p style="margin-bottom: 0in"><strong>By The Grace Of God</strong> would go on to record another record for <em>Victory</em> and then one more record on a smaller label.  Members of this band have gone on to be in <strong>Black Cross</strong>, <strong>Good Riddance</strong>, and <strong>Elliot</strong>.</p>
<p style="margin-bottom: 0in"><strike>Here is an mp3 of <em>Fissures</em>.</strike></p>
<p style="margin-bottom: 0in"><span style="font-size: 9pt"><em>These songs are posted for sample purposes.  I post them so that people can be turned on to cool music and hopefully return the favor for someone else.  Each mp3 will be up for one week and then will be taken down.  please support the bands and labels by buying these records and checking them out when they play your town.  DIY hardcore punk bands deserve your support as an alternative to Clear Channel/MTV/RIAA nonsense.  </em></span></p>
<p style="margin-bottom: 0in"><em><span style="font-size: 9pt">If you are the artist or copyright holder for this song and would like it removed please email me and it will be removed in a timely manner.</span></em></p>
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		<title>Signifying Nothing Episode One</title>
		<link>http://sn.wpwend.com/2006/02/21/signifying-nothing-podcast-episode-one/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=signifying-nothing-podcast-episode-one</link>
		<comments>http://sn.wpwend.com/2006/02/21/signifying-nothing-podcast-episode-one/#comments</comments>
		<pubDate>Tue, 21 Feb 2006 22:45:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[108]]></category>
		<category><![CDATA[Black Flag]]></category>
		<category><![CDATA[Calvary]]></category>
		<category><![CDATA[Citizens Arrest]]></category>
		<category><![CDATA[Cold Sweat]]></category>
		<category><![CDATA[Deep Wound]]></category>
		<category><![CDATA[Endpoint]]></category>
		<category><![CDATA[Eyehategod]]></category>
		<category><![CDATA[Far From Breaking]]></category>
		<category><![CDATA[Fugazi]]></category>
		<category><![CDATA[Infest]]></category>
		<category><![CDATA[Judgment]]></category>
		<category><![CDATA[Mental]]></category>
		<category><![CDATA[Midnight]]></category>
		<category><![CDATA[Signal Lost]]></category>
		<category><![CDATA[Sleater Kinney]]></category>

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		<description><![CDATA[Signifying Nothing Episode One Download this episode Playlist Infest-My World, My Way Infest-Iran Scam Calvary-It&#8217;s Sport Fugazi-Cash Out Mental-History 101 Deep Wound-In My Room Black Flag-Three Nights Endpoint-Black Skies Citizens Arrest-In The Distance Sleater Kinney-Jumpers Far From Breaking-All The Difference Midnight-Cold Sweat Cold Sweat-Guilt Burns Judgment-Kick Them Over 108-Killer Of The Soul Eyehategod-30$ Bag Signal [...]]]></description>
			<content:encoded><![CDATA[<p>Signifying Nothing Episode One</p>
<p><a href="http://sn.wpwend.com/sn001.mp3">Download this episode</a></p>
<p><u>Playlist</u><br />
Infest-My World, My Way</p>
<p>Infest-Iran Scam<br />
Calvary-It&#8217;s Sport<br />
Fugazi-Cash Out<br />
Mental-History 101</p>
<p>Deep Wound-In My Room<br />
Black Flag-Three Nights<br />
Endpoint-Black Skies<br />
Citizens Arrest-In The Distance</p>
<p>Sleater Kinney-Jumpers</p>
<p>Far From Breaking-All The Difference<br />
Midnight-Cold Sweat<br />
Cold Sweat-Guilt Burns<br />
Judgment-Kick Them Over</p>
<p>108-Killer Of The Soul<br />
Eyehategod-30$ Bag<br />
Signal Lost-Innocent</p>
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<enclosure url="http://media.blubrry.com/signifxxx/sn.wpwend.com/sn001.mp3" length="48427523" type="audio/mpeg" />
			<itunes:keywords>108,Black Flag,Calvary,Citizens Arrest,Cold Sweat,Deep Wound,Endpoint,Eyehategod,Far From Breaking,Fugazi,Infest,Judgment</itunes:keywords>
		<itunes:subtitle>Signifying Nothing Episode One - Download this episode - Playlist Infest-My World, My Way - Infest-Iran Scam Calvary-It&#039;s Sport Fugazi-Cash Out Mental-History 101 - Deep Wound-In My Room Black Flag-Three Nights Endpoint-Black Skies </itunes:subtitle>
		<itunes:summary>Signifying Nothing Episode One

Download this episode

Playlist
Infest-My World, My Way

Infest-Iran Scam
Calvary-It&#039;s Sport
Fugazi-Cash Out
Mental-History 101

Deep Wound-In My Room
Black Flag-Three Nights
Endpoint-Black Skies
Citizens Arrest-In The Distance

Sleater Kinney-Jumpers

Far From Breaking-All The Difference
Midnight-Cold Sweat
Cold Sweat-Guilt Burns
Judgment-Kick Them Over

108-Killer Of The Soul
Eyehategod-30$ Bag
Signal Lost-Innocent</itunes:summary>
		<itunes:author>Signifying Nothing</itunes:author>
		<itunes:explicit>no</itunes:explicit>
	</item>
		<item>
		<title>Top 100 Of The Nineties: Endpoint-In A Time Of Hate</title>
		<link>http://sn.wpwend.com/2006/02/06/top-100-of-the-nineties-endpoint-in-a-time-of-hate/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=top-100-of-the-nineties-endpoint-in-a-time-of-hate</link>
		<comments>http://sn.wpwend.com/2006/02/06/top-100-of-the-nineties-endpoint-in-a-time-of-hate/#comments</comments>
		<pubDate>Mon, 06 Feb 2006 22:14:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Black Cross]]></category>
		<category><![CDATA[Bold]]></category>
		<category><![CDATA[By The Grace Of God]]></category>
		<category><![CDATA[Conversion Records]]></category>
		<category><![CDATA[Endpoint]]></category>
		<category><![CDATA[Rick Springfield]]></category>
		<category><![CDATA[Youth Of Today]]></category>

		<guid isPermaLink="false">http://sn.wpwend.com/?p=84</guid>
		<description><![CDATA[Endpoint In A Time Of Hate LP Conversion Records 1991 This is a personal choice. When I was a young punk Model was put on a mix tape for me (turned out said mix tape maker just copied the east coast side of the Voice of 1000’s compilation and said it was a mix) and [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Endpoint</strong><em><br />
In A Time Of Hate</em> LP<em><strong><br />
Conversion Records</strong></em><br />
1991</p>
<p style="margin-bottom: 0in">This is a personal choice.  When I was a young punk <em>Model</em> was put on a mix tape for me (turned out said mix tape maker just copied the east coast side of the <em>Voice of 1000’s</em> compilation and said it was a mix) and I loved it a lot.  <em>In A Time Of Hate</em>, the LP the song comes from, is a great record of slightly metallic youth crew hardcore with great lyrics about the environment, straight edge, and drunk driving.  I’ve always had a soft stop for this one and probably listened to it a lot more in my teens than I did “classic” bands like <strong>Bold</strong> or <strong>Youth of Today</strong>.</p>
<p style="margin-bottom: 0in"><strong>Endpoint’s</strong> later records go from decent to pretty bad in my opinion.  They got some chances and got pretty mellow as the years went on.  They’d also do a cover of that stupid <strong>Rick Springfield</strong> song <em>Jesse’s Girl</em> which would haunt my high school years, but let’s tell that story another time.  If you like <strong>Endpoint</strong> I’m sure you already have these records.</p>
<p style="margin-bottom: 0in">This record is out of print as far as I can tell.  I’m shocked it hasn’t been reissued by anyone.  The <span style="color: #0000ff"><u><a href="http://history.louisvillehardcore.com/index.php?title=Endpoint:In_A_Time_Of_Hate">Louisville Hardcore wiki</a></u></span> page has more information.</p>
<p style="margin-bottom: 0in">Here is an mp3 of <del><em>Model</em></del>.</p>
<p style="margin-bottom: 0in"><em><span style="font-size: 9pt">These songs are posted for sample purposes.  I post them so that people can be turned on to cool music and hopefully return the favor for someone else.  Each mp3 will be up for one week and then will be taken down.  please support the bands and labels by buying these records and checking them out when they play your town.  DIY hardcore punk bands deserve your support as an alternative to Clear Channel/MTV/RIAA nonsense.  </span></em></p>
<p style="margin-bottom: 0in"><span style="font-size: 9pt"><em>If you are the artist or copyright holder for this song and would like it removed please email me and it will be removed in a timely manner.</em> </span></p>
<p style="margin-bottom: 0in">Members of this band went on to be in <strong>Black Cross </strong>and <strong>By The Grace Of God</strong>.</p>
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		<title>By The Grace Of God</title>
		<link>http://sn.wpwend.com/2005/09/06/by-the-grace-of-god/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=by-the-grace-of-god</link>
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		<pubDate>Tue, 06 Sep 2005 16:46:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Boy Sets Fire]]></category>
		<category><![CDATA[Broken Behind This Wall Fanzine]]></category>
		<category><![CDATA[By The Grace Of God]]></category>
		<category><![CDATA[Earth Crisis]]></category>
		<category><![CDATA[Endpoint]]></category>
		<category><![CDATA[Good Riddance]]></category>
		<category><![CDATA[Ink & Dagger]]></category>
		<category><![CDATA[Judge]]></category>
		<category><![CDATA[Saves The Day]]></category>
		<category><![CDATA[Shelter]]></category>
		<category><![CDATA[Victory Records]]></category>

		<guid isPermaLink="false">http://sn.wpwend.com/?p=31</guid>
		<description><![CDATA[Mike McKenna did this interview for me also. By The Grace of God has gotten a bad reputation in some circles but I’ve always thought that first 7” they did on Victory totally raged. Plus it’s hard to deny a band that covers Bringin It Down and Plastic Bomb. This was done with Tommy, their [...]]]></description>
			<content:encoded><![CDATA[<p style="margin-bottom: 0in"><strong>Mike McKenna</strong> did this interview for me also.  <strong>By The Grace of God</strong> has gotten a bad reputation in some circles but I’ve always thought that first 7” they did on <strong>Victory</strong> totally raged.  Plus it’s hard to deny a band that covers <em>Bringin It Down</em> and <em>Plastic Bomb</em>.  This was done with <strong>Tommy</strong>, their drummer, sometime in 1998.</p>
<p style="margin-bottom: 0in"><strong>What’s going on in Louisville?</strong></p>
<p style="margin-bottom: 0in">Right now Louisville is doing just fine.  We are going through a stage right now where a lot of great new hardcore, punk, and indie rock bands are coming out of the woodwork.  Some great new bands you should check out are:</p>
<p style="margin-left: 0.5in; margin-bottom: 0in"><strong>Five Times Fast</strong></p>
<p style="margin-left: 0.5in; margin-bottom: 0in"><strong>Flight 19</strong></p>
<p style="margin-left: 0.5in; margin-bottom: 0in"><strong>The Aasee Lake</strong></p>
<p style="margin-left: 0.5in; margin-bottom: 0in"><strong>Automatic</strong></p>
<p style="margin-left: 0.5in; margin-bottom: 0in"><strong>Tri-tet</strong></p>
<p style="margin-left: 0.5in; margin-bottom: 0in"><strong>Half Seas Over</strong></p>
<p style="margin-left: 0.5in; margin-bottom: 0in"><strong>The Dangers</strong></p>
<p style="margin-left: 0.5in; margin-bottom: 0in"><strong>Espionage</strong></p>
<p style="margin-bottom: 0in">&nbsp;</p>
<p style="margin-bottom: 0in">…just to name a few.  The only thing that kind of sucks right now is that there are barely any places that will hold all-ages shows.  There is a place called <strong>Sparks</strong> where about 90% of the punk shows are.  The club is really cool to us and the people who work there are very cooperative, but the room the bands play in sounds like crap.  Rumor has it that some kids are trying to find a place to start a collective but I hear that like every six months and nothing ever happens.  I hope it works out this time.</p>
<p style="margin-bottom: 0in"><strong>I noticed that By The Grace Of God changed their lineup recently.  Who are the new members and have they played in other bands before?</strong></p>
<p style="margin-bottom: 0in">Our two new members’ names are <strong>Robby Scott</strong> (who replaced <strong>Jay Palumbo</strong> on guitar) and <strong>Brian Roundtree</strong> aka “<strong>Tree</strong>” (who replaced <strong>Jon Mobly</strong> on bass).  So far, everything is working out just great except that <strong>Tree</strong> tends to hang out with hippies in drum circles and ends up coming to practice all stoned and smelling like patchouli.</p>
<p style="margin-bottom: 0in"><strong>By The Grace of God started as an “all star” band of sorts.  How exactly did it come about, and more specifically when did you become involved?  </strong></p>
<p style="margin-bottom: 0in"><strong>By The Grace of God</strong> started because <strong>Rob</strong> and <strong>Duncan</strong> missed being in a hardcore band together since the breaking up of the all-mighty <strong>Endpoint</strong>.  <strong>Duncan</strong> went around Louisville and found the biggest straight edge losers he could and asked them to be in a band.  So we had our first practice and wrote three songs (<em>Goliath, Pallbearer’s Hymn</em>, and <em>Navigator</em>) and played them over and over again, then a week later we played our first show on a whim with <strong>Earth Crisis</strong>.  <strong>Shelter</strong> was supposed to play but their van broke down or something so we got up after the opening band and used their equipment and played our three songs and a <strong>Judge</strong> cover.  The room went nuts.  It was so fun and exciting but also very sloppy.</p>
<p style="margin-bottom: 0in"><strong>The </strong><em><strong>Perspective</strong></em><strong> album sounds more developed than the 7”.  Is this because more time was spent in the studio, or was it because at that point By The Grace of God was a full-time band?</strong></p>
<p style="margin-bottom: 0in">Well…neither.  The songs on <em>Perspective</em> came out not as aggressive because that’s how they were written.  We all didn’t sit down and say “hey, let’s write some more polished hardcore songs.”  Hopefully, our next release will be much more aggressive the way I personally like it.</p>
<p style="margin-bottom: 0in"><strong>Some people would label By The Grace Of God as a political band.  Obviously, there are some very political songs on your records but do you feel that this perception of the band in any way constrains you?</strong></p>
<p style="margin-bottom: 0in">Not really.  I am not really educated enough on politics to be as political as I want to be.  When <strong>Rob</strong> writes his lyrics, he sometimes shares them with us so we can all put our ideas to mold it into a better song.</p>
<p style="margin-bottom: 0in"><strong>Are the messages reflected in such songs as </strong><em><strong>November’s Lie</strong></em><strong> and </strong><em><strong>Red Hand Plan</strong></em><strong> representative of the feelings of the band or are they mostly expressions of Rob’s ideas?</strong></p>
<p style="margin-bottom: 0in">The songs <em>November’s Lie</em> and <em>Red Hand Plan</em> are expressions of <strong>Rob’s</strong> ideas.</p>
<p style="margin-bottom: 0in"><strong>Does By The Grace of God have any plans to head back into the studio in the near future?</strong></p>
<p style="margin-bottom: 0in"><strong>By The Grace of God</strong> plans on going back in the studio in April to record songs for a new 7” on <em><strong>Three Little Girls Records</strong></em> out of Louisville, and some for some compilations.</p>
<p style="margin-bottom: 0in"><strong>Everyone knows By The Grace of God is on </strong><em><strong>Victory</strong></em><strong>.  How did that come about?  I mean, nothing against Victory, but why not go with </strong><em><strong>Initial Records</strong></em><strong>, who you not only work with, but is also a hometown label?</strong></p>
<p style="margin-bottom: 0in">Just for the record, <strong>By The Grace of God</strong> is not on <em><strong>Victory</strong></em> anymore.  We didn’t leave on bad terms.  We still appreciate everything they did for us but in the long run <em><strong>Victory</strong></em> wasn’t the right label for us.  <em><strong>Victory</strong></em> came into question about what labels we wanted to be on because <strong>Duncan’s</strong> old band <strong>Guilt</strong> was on <em><strong>Victory</strong></em> and <strong>Tony</strong> told <strong>Duncan</strong> that he wanted to put it out.  We figured that <strong>Tony</strong> would probably get it out the fastest so we went with it.  It worked out great because our record came out like a couple of months after we recorded it.  The reason why we haven’t done anything with <em><strong>Initial</strong></em> is totally over my head.  I wanted to release something with <em><strong>Initial</strong></em> from the get go, but it didn’t work out that way.</p>
<p style="margin-bottom: 0in"><strong>On the back of the </strong><em><strong>Perspective</strong></em><strong> LP there is a little box which says STRAIGHT EDGE IS A NON-VIOLENT MOVEMENT.  I think that is really cool and more straight edge bands should promote non-violence.  Do you think that violence in the straight edge community is as bad as everyone says it is?</strong></p>
<p style="margin-bottom: 0in">I think it depends on what scene you are from.  Here in Kentucky, we have a semi-violent scene but there are never any fights.  The scene here is a lot different than say, New York or New Jersey because it seems that kids dance a whole lot more violent up there than they do in the south.  I am strongly opposed to mindless violence and I think it has no place in any hardcore scene.  If people have the brain to just talk things out instead of fighting, things wouldn’t be so bad in some scenes.  I might get called a sissy for saying this but it’s just the logical thing to do…plain and simple.</p>
<p style="margin-bottom: 0in"><strong>What’s new with your other band, The Enkindels?</strong></p>
<p style="margin-bottom: 0in"><strong>The Enkindels</strong> just finished the recording for our new LP <em>Buzz Clip 2000</em>.  It is by far the best <strong>Enkindel</strong> release yet, much more melodic punk rock than emotional hardcore.  We are going to be touring like hell this summer and hopefully go to Europe this winter.  I love playing in all sorts of different genres of punk.  I also play in a band called <strong>The Life Of An Ocean</strong> that’s different than anything else I’ve ever done.</p>
<p style="margin-bottom: 0in"><strong>What were the bands or albums which made you want to play hardcore?</strong></p>
<p style="margin-bottom: 0in">There are tons and tons of records which made me want to play hardcore, but if I had to narrow it down to three records it would be <strong>Minor Threat</strong>-<em>Out of Step</em>, <strong>Gorilla Biscuits</strong>-<em>Start Today</em>, and <strong>Bad Religion</strong>-<em>Suffer</em>.  But still today there are great records that are coming out that totally motivate me like <strong>Ten Yard Fight</strong>-<em>Back On Track</em>, and <strong>Good Riddance</strong>-<em>Ballads From The Revolution</em>.</p>
<p style="margin-bottom: 0in"><strong>Right now, in your opinion, what are the worst problems in the hardcore community?</strong></p>
<p style="margin-bottom: 0in">Violence, sexism (yes, sexism…look around, it’s still there), and superiority.</p>
<p style="margin-bottom: 0in"><strong>What albums are you looking forward to in 1998?</strong></p>
<p style="margin-bottom: 0in">I am looking forward to the new <strong>Ink and Dagger</strong> LP.  I think <strong>Don</strong> and <strong>Sean</strong> are going to blow everyone’s ass apart with this next one.  The <strong>Saves The Day</strong> LP.  I am also looking forward to the next <strong>Boy Sets Fire</strong> release.</p>
<p style="margin-bottom: 0in"><strong>Any closing comments?</strong></p>
<p style="margin-bottom: 0in">It seems like every five or six months I get a new record that totally blows me away.  Recently I got the new <strong>Good Riddance</strong> LP and it is so fucking amazing.  The music is incredible and the lyrics are ingenious.  I can’t wait to see them live so I can run around and scream my head off.  Check it out; if you don’t you are seriously missing out.</p>
<p style="margin-bottom: 0in">&nbsp;</p>
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		<title>Hands Tied</title>
		<link>http://sn.wpwend.com/2005/08/01/hands-tied/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hands-tied</link>
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		<pubDate>Mon, 01 Aug 2005 20:19:37 +0000</pubDate>
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		<description><![CDATA[I did this one with Tim from Hands Tied in September of 1997. What is the history of Hands Tied and what is the current lineup now? Hands Tied started around the same time Mouthpiece was calling it quits. I guess it was sometime early summer 1996. Hands Tied was an idea that came up [...]]]></description>
			<content:encoded><![CDATA[<p style="margin-bottom: 0in">I did this one with <strong>Tim</strong> from <strong>Hands Tied</strong> in September of 1997.</p>
<ol>
<li>
<p style="margin-bottom: 0in"><strong>What is the history of Hands 	Tied and what is the current lineup now?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in"><strong>Hands Tied</strong> started around the same time <strong>Mouthpiece</strong> was calling it quits.  I guess it was sometime early summer 1996.  <strong>Hands Tied </strong>was an idea that came up during the 1995 <strong>Mouthpiece</strong> summer tour.  At the time, we knew that <strong>Mouthpiece</strong> was going to be coming to an end soon.  <strong>Matt</strong>, the guitarist from <strong>Mouthpiece</strong>, <strong>Ed</strong> the <strong>Mouthpiece</strong> roadie, and myself (<strong>Tim</strong>) all talked about starting a new band.  Shortly after that tour <strong>Matt</strong> moved to Kentucky, therefore he was quickly out of the picture.  <strong>Ed</strong> and <strong>I</strong> still wanted to get something going, so we started looking around for other members.  At the same time, <strong>Ed</strong> and <strong>I</strong> were looking for members, <strong>Sean</strong>, the <strong>Mouthpiece </strong>bassist, and his friend <strong>Pat</strong> were starting to get a band together.  <strong>Sean</strong> played me a tape to see if I was interested in singing for them.  <strong>I</strong> told <strong>Ed</strong> about it and we decided to give it a try.  Shortly after we started to get things together, we recorded a two-song demo that we just sent out to labels.  We ended up doing a seven-inch with <strong>Equal Vision Records</strong>.  We played a few shows and then the band started going through some internal problems.  <strong>Sean</strong> had different goals for the band than <strong>Ed</strong> and <strong>I</strong> had, so <strong>Sean</strong> left <strong>Hands Tied</strong>.  Shortly after, <strong>Pat</strong> left because he felt like he couldn’t go on without <strong>Sean</strong>.  <strong>Ed</strong> and <strong>I </strong>started looking for new members immediately.  We ended up with the lineup of:</p>
<p style="margin-bottom: 0in"><strong>Tim</strong>-Vocals<br />
<strong>Ed</strong>-Bass<br />
<strong>Espen</strong>-Guitar<br />
<strong>Matt</strong>-Guitar<br />
<strong>Geoff</strong>-Drums</p>
<p style="margin-bottom: 0in">We’re presently playing out again and preparing for a west coast winter tour.</p>
<ol start="2">
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<p style="margin-bottom: 0in"><strong>I mentioned to you on Saturday 	that it will be one year this weekend since Mouthpiece broke up.  	Any thoughts on the past year?</strong></p>
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</ol>
<p style="margin-bottom: 0in">The past year hasn’t gone as smoothly as I would have liked to seen it go.  The member changes took up most of the summer of 1997.  It took us awhile to find new members, practice, and get tight; and then it took awhile to start getting shows again.  Things are starting to pick up now.  My biggest disappointment is that the summer is almost over and we haven’t really done much as a band.  We wanted to tour, that didn’t happen; we wanted to record for an LP, that hasn’t happened yet.  Like I said, things are definitely starting to pick up.  We’ve gotten a few new songs and are planning for a west coast winter tour.  We’re also getting a lot of offers to play some really cool shows over the next couple of months.  We’re going to be working very hard to get some goals accomplished.  Hopefully you’ll be seeing and hearing a lot from <strong>Hands Tied</strong> in the near future.</p>
<ol start="3">
<li>
<p style="margin-bottom: 0in"><strong>How did you acquire your new 	members?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">Well, we’ve known <strong>Matt Smith</strong> for a couple of years, and knew that he was into doing the same kind of music that we were.  When we found out that he played guitar, we figured that we would give him a try.  I met <strong>Espen</strong> about a year ago.  He’s from Norway and came to visit America about a year or two ago.  He stayed with us and went to a <strong>Mouthpiece</strong> show.  He came back for another visit about half a year later and that’s when we talked about him possibly moving out here and playing for <strong>Hands Tied</strong>.  As with <strong>Matt</strong>, <strong>Espen</strong> was also totally into doing the same style of music.  <strong>Geoff</strong>, our drummer, I’ve known for as long as <strong>Mouthpiece</strong> was together.  He probably went to every <strong>Mouthpiece</strong> show we ever played, at least in this area.  He has been playing drums on and off for a few years.  Once he actually got a drum set and we were in need of a drummer, we gave him a try.  So far everything has gone better than I could have ever expected.  This new lineup is so much better than the original lineup because we’re all on the same level.  We all have common interests and have the same plans for the band.  I couldn’t ask for things to go any better.</p>
<ol start="4">
<li>
<p style="margin-bottom: 0in"><strong>Will there be an LP soon?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">Well, right now we’re working on getting together a lot of shows for the next few months.  Since we haven’t been playing this whole summer, we want to try to make up for lost time.  We did have an entire LP’s worth of material written before the member changes, but we decided to trash those songs.  <strong>Sean</strong> and <strong>Pat</strong> wrote most of them without <strong>Ed</strong> and <strong>I</strong> around, so we didn’t have any input.  We really didn’t like any of the songs that much anyway.  Those songs probably would have been rewritten before we recorded them even if the other guys ended up staying in the band.  As for now, we have about three brand new songs that we have written with the new lineup.  I’m very happy with the way these new songs are coming together.  The newer songs have more of a harder, pissed off sound to them.  Definitely not as cheery as the seven inch stuff was.  In my opinion, this new stuff sounds more like <strong>Antidote</strong> than <strong>Gorilla Biscuits</strong>.  Hopefully we’ll be ready to record an LP this winter.  There are no guarantees but I think it’s very possible.  We’ll just have to see how things go.</p>
<ol start="5">
<li>
<p style="margin-bottom: 0in"><strong>Was the song on the </strong><em><strong>Tension 	Building Fanzine</strong></em><strong> compilation recorded when the 7” was 	recorded?  </strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">Yes, we recorded the seven-inch and the <em><strong>Tension Building</strong></em> song at the same time.  We weren’t completely sure what songs were going to be on the seven inch and which song was going on the compilation.  I guess we just decided after we recorded.  That song, “<em>Lost Ground</em>,” was kind of chosen by <strong>Steve</strong> from <em><strong>Tension Building</strong></em> to be on his compilation anyway.  <strong>Steve</strong> was there when we recorded everything, so he had his choice.</p>
<ol start="6">
<li>
<p style="margin-bottom: 0in"><strong>How involved are you in the 	internet?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">I actually try to get on the internet once a night.  Sometimes I don’t get a chance to get on for a few days.  I usually just check out a few selected pages, check my email, and that’s about it.  I rarely go into any chat rooms.  Almost every time I log on, I find people talking shit about me, my band, and my friends.  After awhile, it just becomes ridiculous.  I highly doubt any of these people know me personally to talk about me.  The funny thing is that not once has anybody actually confronted me face to face.  They simply talk shit on a computer, sign a fake name, and I end up never hearing a word from them again.  They’re just a bunch of spineless cowards with nothing better to do with their boring lives.  These cowards mean nothing and they will be on their way out of the hardcore scene as soon as they graduate high school.  I have three words to say to these pieces of shit…get a life!</p>
<ol start="7">
<li>
<p style="margin-bottom: 0in"><strong>What webpages do you like?  	Anything non-hardcore related?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">My favorites are <strong>Revelation, Equal Vision, Straight-Edge.com, Impact, Hold True</strong>, and <strong>Meltdown</strong>.  Other than hardcore related webpages, I like NBA.com, Sneaker Nation, Nike.com, and a few other Air Jordan and sneaker related webpages.  There’s actually so many incredible webpages, I just don’t have enough time in the day to check many new ones out.  I usually go to any of those pages I mentioned and check out their links also.</p>
<ol start="8">
<li>
<p style="margin-bottom: 0in"><strong>What do you think of Michael 	Jordan’s new contract?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in"><strong>Michael Jordan</strong> has been such an underpaid player for so many years, he deserves whatever he gets.  He is hands down the best basketball player of all time.  There is not one player around today that plays with the same dedication and emotion that <strong>Jordan</strong> does.  When <strong>Jordan</strong> wants to win a game, he wins it.  He has brought so much excitement and newfound interest to the game of basketball and the NBA that he deserves to get paid whatever he feels he is worth.  If that new contract assures that I’ll get to see another season of <strong>Michael Jordan</strong> playing basketball, I’m all for it.</p>
<ol start="9">
<li>
<p style="margin-bottom: 0in"><strong>Do you think The Bulls are 	going to win another title?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">If <strong>Michael Jordan</strong> and <strong>Scottie Pippen</strong> are playing for <strong>The Bulls</strong>, there is a very good chance that they will win another title.  As a matter of fact, I’d have no problem guaranteeing another championship out of those guys.  Once they leave Chicago though, it will all come to an end.  There are a lot of great young teams out there in the NBA, but none of them can really compete with the well experienced team of <strong>Michael Jordan</strong> and <strong>Scottie Pippen</strong>.</p>
<ol start="10">
<li>
<p style="margin-bottom: 0in"><strong>What do you think of Dennis 	Rodman?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">I think he’s an incredible rebounder, probably the best in the NBA, but I think some of his off court antics are ridiculous.  Whatever though, as long as he plays his heart out and keeps diving for those rebounds, I’m content.</p>
<ol start="11">
<li>
<p style="margin-bottom: 0in"><strong>Any upcoming shows of note?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">We’re playing a show in Long Island NY on the 19<sup>th</sup> of September and on the 20<sup>th</sup> we’re playing in Buffalo.  We’re getting a lot of shows together right now, but nothing is really definite.  I think we’ll be touring Europe in January, but we still have a lot of planning to do for that.</p>
<ol start="12">
<li>
<p style="margin-bottom: 0in"><strong>I keep hearing about a show on 	the 21</strong><sup><strong>st</strong></sup><strong> in New Brunswick?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">We were planning on playing a show at the <strong>Down Under</strong> in New Brunswick on the 21<sup>st</sup> of September, but the show kinda got cancelled.  There’s a show in NYC with <strong>Agnostic Front</strong> and <strong>Killing Time</strong> the same night, that’s why they didn’t go through with the NJ show for us.  It looks like the show will be rescheduled for sometime in October.</p>
<ol start="13">
<li>
<p style="margin-bottom: 0in"><strong>Was the transition to new 	members hard?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">The transition to new members took about a month for us to get everything down well.  We got all of the old songs down tight, and started writing new material soon after.  Right now, the band is doing better than it ever has been.  I’m totally happy with the direction our new songs are heading in and the lineup as a whole is so much more in tune with one another.  We all pretty much have the same plans, goals, and expectations for <strong>Hands Tied</strong>.  Right now, our guitarist <strong>Espen</strong> is in Norway trying to apply for citizenship here in America.  His visa just ran out, so he had to go back there and get some things straightened out.  While he’s gone, we’ll probably get somebody to fill in for him, but hopefully he’ll be able to get back here soon.</p>
<ol start="14">
<li>
<p style="margin-bottom: 0in"><strong>What is the most punk thing 	you’ve ever done?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">Can’t say I’ve done too many “punk” things in my lifetime, but there’s one thing that comes to my mind.  It must have been the first time I ever saw <strong>Sick Of It All</strong>, probably 1989.  It was at <strong>City Gardens</strong> in Trenton, NJ.  I was upfront singing along, having fun, being psyched, when all of a sudden, somebody picked me up and forced me to the top of the crowd.  Now what you have to understand is at this time, <strong>City Gardens</strong> didn’t permit stage diving.  They had about four huge bouncers that would grab any stage divers, ruff them up and then psychically throw them out the back door.  Getting caught stage diving by one of those huge bouncers was definitely not something you wanted to do.  Once I got on top of the crowd, I ended up on the stage.  I looked into the crowd and saw all four bouncers eyeing me up and motioning to each other to get me.  At this point, I’m scared to death, so I dive off the stage.  It’s pretty much all I could do to get down anyway.  Next thing I know, this kid pulls me down from the crowd and pushes me down to try and hide me.  I’m on my knees, hiding, scared shitless, sweating, having trouble breathing, and being unable to see nothing but legs and shoes.  After about two minutes, the kid who pulled me down brings me back up.  He says, “You’re clear. They gave up on ya.”  I guess I was safe at this period, but my body was so psychically shocked from the whole experience that I threw up on the back of some punker dude with a black leather jacket on in front of me.  Believe me, it was a lot of throw up too. The guy didn’t know and I surely wasn’t going to tell him.  I guess I survived though, I felt pretty punk after that was over.</p>
<ol start="15">
<li>
<p style="margin-bottom: 0in"><strong>Did Mouthpiece ever play City 	Gardens?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">Yes, <strong>Mouthpiece</strong> played <strong>City Gardens</strong> four times.  The first time we played there, it was with <strong>Insted</strong>, <strong>Vision</strong>, and <strong>Eye For An Eye</strong>, the second time we played with <strong>Shelter</strong> and <strong>Into Another</strong>, the third time we played with <strong>Down By Law</strong>, and the fourth time we played <strong>Iceburn</strong> and <strong>Endpoint</strong>.  <strong>City Gardens</strong> was definitely the best club in New Jersey.  I went to my first hardcore show there in 1987; it was <strong>The Descendents</strong> on their last tour.  I feel like I grew up going to that club, I definitely saw quite a few incredible shows there.  I’m just happy I got to play on that stage a few times, it’s too bad that I’ll probably never get that chance again.</p>
<ol start="16">
<li>
<p style="margin-bottom: 0in"><strong>What was your reaction to 	Raybeez’s death?  </strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">I was completely surprised.  At first, I thought it was just another internet rumor, but after awhile the talk began to sound very believable.  It’s not often that you hear about somebody in the hardcore scene dying.  I think it’s because hardcore is such a young music, most of the people involved are still fairly young.  I definitely liked <strong>Warzone</strong>, but never knew <strong>Raybeez</strong> personally.  It’s a definite loss to the hardcore scene and he will be missed.  Luckily, he was able to record some very good records that will forever leave an impact on people.  He will never be forgotten.</p>
<ol start="17">
<li>
<p style="margin-bottom: 0in"><strong>Who are you voting for in the 	November election?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">As for the upcoming November election, I’m not really sure who I’m going to be voting for as of yet.  I know car insurance in NJ is outwardly ridiculous and disgustingly expensive, so whoever has the answer to that will probably get my vote.  I don’t see <strong>Whitman</strong> making any vital changes with the insurance thing so far, so I probably won’t be voting for her.  I’ll definitely have to look into things a little more, I don’t feel I’m 100% sure as of yet.</p>
<ol start="18">
<li>
<p style="margin-bottom: 0in"><strong>What labels did Hands Tied talk 	to before settling on Equal Vision?  </strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">We didn’t really talk to any other labels.  We sent a two-song demo type tape out to a bunch of different labels, but <strong>Equal Vision</strong> was what we were shooting for.  I had known <strong>Steve EVR</strong> for a while and he had always wanted to do something with my old band (<strong>Mouthpiece</strong>), so when this new band came together, we thought we’d give <strong>Steve</strong> a try.</p>
<ol start="19">
<li>
<p style="margin-bottom: 0in"><strong>With the new lineup, will there 	be new cover songs?</strong></p>
</li>
</ol>
<p style="margin-bottom: 0in">We’ve been practicing a few different cover songs, but haven’t quite nailed one down yet.  It seems like whenever we do a cover song by an old band that we like, nobody in the crowd knows it.  That kind of ends up defeating the purpose of doing a cover song.  We’ve been playing “<em>City To City</em>” by <strong>DYS</strong> and kids just haven’t picked up on it.  Early towards the beginning of the band when we did “<em>Clear</em>” by <strong>Bold </strong>and “<em>We Just Might</em>” by <strong>Youth of Today</strong>, kids seem to know those songs.  But when we go a little further back and try playing covers by bands like <strong>DYS</strong> or <strong>The Faith</strong>, kids just don’t know the songs.  We’ve dabbled with the idea of doing a <strong>Negative Approach</strong> song, an <strong>Antidote</strong> song, or a <strong>7 Seconds</strong> song, but haven’t figured out which one we’d definitely want to play.  Hopefully, by playing older cover songs, it might open kids up to older bands that they might not have taken interest in if it wasn’t for us.  Ultimately, I just want to play something that I like and have fun when we play it.</p>
<p style="margin-bottom: 0in">&nbsp;</p>
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